Fall is my favorite time of year, just like it is for a lot of folks. While I enjoy the cooler temperatures, the changing of the leaves and all the preparations for the holidays, the real coup de grace for me is sports. Let’s face it, summer is the ‘dead of winter’ for a true sports fan, but fall is our Valhalla. 

I mean, could October be any better? You have baseball pennant races, playoffs and The World Series. In Hockey and Basketball, the seasons are just beginning and everyone thinks they have a chance. For America’s new favorite pastime, college and professional football are in full force.

But you're on our blog to read about unified marketing or the latest technology trends, right? You don't really care about my passion for sports.

When Sports and Marketing Collide

Sports and marketing have been closely aligned for as long as I can remember now. From the ads you see in the programs at the ballpark, to TV/radio spots (and shows created for the sole purposes of selling ads I might add). Of course, there's also the signage all over, including player uniforms, the scoreboards and that precious real estate in the line of sight of any television camera (like behind home plate).

The next iteration of fan engagement is coming through Location Based Services (LBS). There is no question that services like FourSquare, Gowalla and Facebook Places have moved beyond the fad to widespread fan adoption.

For me, I think sports is the bridge between fad and reality for LBS. Sporting events - whether you're at the game or watching it in the neighborhood bar or from your couch with your Snuggie on - have always been about participation. Fans want to be part of the experience. With LBS, they can mark the event.

-          A captive audience – when you arrive at a stadium for a game, they have you at “hello”.  You are there for 3-6 hours (if you include tailgating).  Advertisers have long seen the value here with placement in Programs, buying up ballpark ‘real estate’, etc…

-          Fans are a passionate, core demographic for sports. The term ‘fan’ comes from ‘fanatic’ - is there a more poignant example of this passion.

LBS Creates New Opportunities for Storytelling

-          The narrative – here ‘IT’ is, the KEY to making LBS truly successful. At the heart of any success is STORYTELLING. At the heart of sports and why we love them is STORYTELLING.  Whether it is sharing the ‘moment’ with 95,000 others or telling your grandchildren 40 years later about how you were there when ‘IT’ happened, sports is about the story! Deep in this concept of STORYTELLING is the desire to SHARE, which is really what LBS is about.

So now that we have the groundwork we need to look at LBS and assume that something is ‘missing’.  If you agree that three things needed for success today from a marketing standpoint are storytelling, technology and social engagement you can begin to see where I am going.

Clearly LBS’ have the technology angle solved. Smart devices with GPS and social networking built in are what have fueled the revolution. Additionally, they are inherently social. You check in, tell your friends where you are, see where they are, etc... 

What I see as missing is the ‘story’. When LBS first launched the question was raised, “Why would I check in and tell people where I am at?”  In those early days the answer was, “If you give them a free beer they will check in”. While that worked initially, I don’t think it is a long-term strategy.

What should be the answer is sharing. Let people share in a group experience, add in their commentary/story, record it for posterity, and then relive it as they choose. Now, what better platform is there for that than sports? 

Take this past week and look at all the great stories you could have been a part of:

• Roy Halladay pitching only the SECOND No Hitter in baseball playoff HISTORY
• Bobby Cox managing his last game for the Atlanta Braves
• Brett Favre throwing his 500^th touchdown last night on Monday Night Footbal

Quite literally there were THOUSANDS of fans looking to share those stories and LBS’ could have been the perfect tool to do so. Sure, you get a glimpse of the story with a short message, but there's more to it than that.

You could check in that you were there, you could post pictures, add running commentary and lastly share the emotions of the moment.  Yet, it’s not being done, at least not through one consistent service.

The question is then why? The answer is money. It’s expensive to launch initiatives, especially ones that don’t have a direct ROI to the groups, in this case a Sports Teams, bottom line.  But I see that as short sighted and where advertising can step in.  For an advertiser what is the benefit of placing an ad in the program of a World Series Game? It’s that eyeballs in the stadium will see the ad, resonate with it and choose to purchase your product. 

The same thing can happen through LBS with an even more emotional pull. Take the Halladay no-hitter (as a Philly fan I will). If I were checked-in to the game and right after it ended, I received a personal message to me (and the others that checked in) that I could be the FIRST to get the t-shirt commemorating the event --- how fast would I do it? Two seconds! How long would it take me to tell the rest of my social network that I did?  Less than two seconds!! 

Soon I would have two stories to tell, the game AND the great offer I received after, all because I was checked-in. How many of my ‘friends’ will now check into games waiting to see if they will get anything? A lot of them. If they get something, they might tell two more friends, and they tell two friends and soon we are all using shampoo from the 1980’s!

So, why haven’t teams, leagues and advertisers seen the power of this yet? I’m not sure, maybe they need to check into LBS in the off season.

While moderating a panel on “New Media” (I hate that phrase btw) at the Williamsburg Film Festival (Willifest) earlier this month, one of the panelists, Larry Banks, Chairman of Film/Media Arts Department at Long Island University, said “Context, not content, is king.”



Context? Hasn't content always been king? What happened?

Is Dr. Banks the only person to identify this shift? No, he’s not. Let’s take a look at what some notable people in the industry are saying about content versus context:

• In a recent NY Post article (the real paper of record in this town), Scott Kessler, Tech Analyst for Standard & Poor’s said about the music industry, “Companies are focusing more on user experience and distribution rather than content itself, and that is an overarching theme, it’s probably not something compelling for content providers.” Ya think?

• Ashkan Karbasfrooshan, guest writer for “TechCrunch” said, “The context—Facebook, Twitter, email—in which people are introduced to media and consume it is becoming more important than the content itself.”  As this chart shows, 81% of discovered video content comes from the blogs that people arguably already visit.

• “Context makes content relevant,” says Jeff Korhan of the blog NEW MEDIA & SMALL BUSINESS MARKETING. “If I give you information that is valuable, you will appreciate it, but possibly never use it.  If I help you appreciate the value of that information by showing you how it works for me or someone like you, then the context makes it invaluable.”

Alrighty then! These folks have a definite point of view. It’s about relevance, placement and a set of circumstances that surrounds the content. But I have a different take on it.

On TV context can help spell success. News, sports and specials have built in context. Comedy can be topical and relevant (From “Cosby" and "Seinfeld” in the 80’s and 90’s, to the more recent “Modern Family.”). Dramas can show real “ripped from the headlines” relevance with programs like “Law & Order.”

In advertising, both traditional and non-traditional, context is very important. That’s what targeting is all about.

Film is experience-oriented, but context is always at play in any given compelling scene. But after a movie plays out in a theater, viewing trends show that on line viewing is often the place for the following runs. Now there is a second layer of context…the place you go to when you want another experience and the way-in is more-and-more, an App. That is a condition that is relevant to the event.

Whether you’re listening to talk radio in your car, reading a billboard in Times Square, looking at a blog that takes you to a piece of video, watching the “Today” show in the morning or “Letterman” at night, you are doing so in “context,”

But at the end of the day (I hate that phrase too), there is no reason to engage with any content regardless of the context if the storytelling isn’t strong.

So what does that say?

Maybe content, not context, is king!

Part Two:  The National Basketball Association (NBA)

In Part One of my look at the presence of natural social networks in sports, I looked at social media's impact on professional soccer. In this part, I'll look at the National Basketball Association.

Let's start by taking a look at the top corporate brands on Facebook:



At first glance, it appears that one of the most effective tactics utilizing social media is providing promotional privileges for fans to get their pick-me-up.  Starbucks, Coca-Cola, and Red Bull are all in the top five. What can brands in other industries learn from the natural social networks formed by sports?  

The NBA, at #9 on the list, is actually ranked 1st in “Page Value” by the same site.  Its success in the social media space is likely driven by its success across the globe, with a powerful fan nation both online and off.  

For over three decades the league has been expanding internationally with marketing programs growing the game in over 240 different countries.  

The international growth demonstrates the sport’s ability to translate across culture, gender, and level of play. In an interview with Emilio Collins, the Senior VP of Global Marketing Partnerships for NBA Entertainment, he explains how the nature of the game facilitates social inclusion. “The game can be played a variety of ways, 1 on 1, indoors or outdoors, male or female.”  

Participation fueled the craving for content, which proved profitable for the NBA.  In fact, Collins cites content distribution as the NBA’s number one source of international revenue.  150 different broadcast partners and numerous highlight shows provide fans their daily fix of the league’s core attributes: passion, teamwork, intensity, history of the franchises, and tradition of the league.  Combined, this is the caffeine equivalent to sports fans.  

Most importantly, the league has maintained its brand identity throughout its development.  Collins states this simply, “Basketball is the NBA.  One entity, one brand associated with the sport.”  The sweat, tears, and slam dunks all make up the National Basketball Association, and the fan nation follows religiously.

So what can other brands learn from the NBA?  “Make your consumers as passionate about your brand as you are,” suggests Collins.  Find those defining attributes that make you brand stand out, and offer a powerful identity to encapsulate those attributes.  

For example, take the 1992 Summer Olympics in Barcelona, cited as the turning point in the NBA’s international growth by Collins.  This is when the world met the Dream Team, setting the stage for the perfect storm of sport, strategy, and brand.  “Kids got to see how inspirational the sport can be, and they saw the domination of our players.  And as a result, we saw all points of our business grow—the distribution of media, participation rates, and the increase of international players,” said Collins.  In effect, the NBA only had 17 international players in 1992.  Now they have 85.  

Regardless of industry, businesses can learn a great deal from the NBA’s success.  More companies need to find passion in their product or service offering and package this into one voice, one brand.  Once established, this brand should serve as Team Captain to employees, fans, and followers, directing the entire team down a path to victory.

Just as athletes communicate during the game to adjust the game plan on the fly, utilize social media to listen to your consumers and respond with innovative marketing strategies.  Finally, commit… to your team, to your fans, and to the game plan.  The NBA has done just this, and fans and teams alike are enjoying its success.

How does Definition 6 create stronger banner ads? We start by thinking smart. We use a compelling design and target smart placement - these are the two important things that we need to make banner advertisement succeed.

For quite some time, banner advertisements have been getting bad reviews because online marketers have shifted to pay-per-click strategies and other seemingly more attractive, higher return methods of increasing web traffic and sales.
Marketers and advertisers alike have been griping about how frustrated users tend to ignore all their marketing efforts completely. Searching for the close button on the banners as soon as they show up.

Thanks to the advancement of technology, the problems about loading and viewing ads have all but disappeared while new targeting technology is now within reach. The flexibility that PPC programs along with the brand of recognition building and the power of attention has been grabbing visual display recently.

If you are looking for some strategies on how to create and place your banner ads in strategic places that will help you save time and money as you build your brand and grow your business, here is a short list to cut your quest short. Here are some of the most effective ways that you can use to make your banner ads a sure win.

• Design customized banner advertisements for every website: If all your banner ads on all the websites that you put them on seem too identitcal, they will not stand out and will simply blend in to the background. You need differentiation in your media mix to catch a visitor's attention. If your design is too distracting or too loud, it will encourage a careless attitude from the viewer.
   
• Make sure that the colors, images and fonts are consistent - your designs should complement your site to maintain a consistent brand impression through the action. You don't need a flashy banner ad to make an impression - but sometimes rich media can be more effective for engagement.
   
• Make use of compelling designs and texts - Banner copywriting is actually a very daunting and time consuming task. Since it involves putting an entire company message into a few words or one very short sentence that will oblige the viewers to click, you should make sure that you choose the images carefully in such a way that they will be a logical match to the copy as much as possible.

Finding the optimal banner ad strategy for your campaign varies for each client. To learn more about media strategy and execution and how you can leverage it as part of your unified marketing strategy, please contact us.

Unified marketing is our strategic framework for creating experiences that deepen the emotional connections between brands and people. It sounds easy enough, right? Consumers are a moving target. Brands move fast too. At some point, they interact – you need that experience to be a meaningful one.

Thinking in terms of campaigns is short-sighted. I believe successful brands need to think more in terms of unified experiences – across any interaction a consumer has with your brand, regardless of medium, stage of the relationship or any other factor you can think of.

How can you get into the unified marketing mindset? It all starts with insight. Insight is essential to everything we do with unified marketing strategy development. We believe to truly optimize your marketing, the effort needs to mirror the environment – in this case, always-on and always-evolving.

The art and science of creating brand impact and enduring customer relationships revolve around immersive experiences. Here’s how we approach unified marketing for our clients:

• Find & Define the right target audiences. It’s not just about demographics, but rather about understanding the nuances within your customer base and targeting the right segments of your audience based on behavior and psychographics.  Go after the right audience at the right time with the right message.

• Engage and Connect to create brand engagement through rich experiences that add collective value and resonate with your audiences on an emotional level.

• Build and Maintain customer relationships through the use of brand nurture relationship marketing and social relationship environments and tactics.  It’s about continual and on-going value in an always-on, always-changing world.

• Understand and Optimize for maximum impact. Improve your media mix and strategic messaging by incorporating appropriate testing, analytics, monitoring and intelligence to make more-informed business decisions in real-time.

Unified Marketing Strategic Framework enables us to more effectively plan, execute, and dynamically optimize your marketing initiatives.  It links our marketing strategy and our creative design to our technical planning, development delivery and optimization. Through this approach, we help clients build more meaningful brand experiences that unite brands and people in motion, driving more interaction and transaction.

Learn more about our unified marketing approach in What We Do or see the results of our programs in Our Work. Thanks!

As you can see from our new website, Definition 6 is now a Unified Marketing Agency. It might look like something that happened over night, but it is an approach we have been refining for years now.

There is only one constant in marketing today: change. Customers change. Technologies change. Mediums change. You change. As an agency, we too must change to help clients better manage business performance. It’s something we’ve been doing for 13 years now.

Unified marketing is our most dramatic transformation yet. It’s an evolved approach to marketing that is designed to challenge conventional wisdom in the agency world.

While some are looking to add more capabilities, we’re looking to develop a better model equipped for the realities of marketing in an always-on and always-evolving marketplace.

Unified marketing is our new approach to strategy and execution. Rather than thinking in terms of campaigns, we think in terms of real-time experiences - every time a person interacts or transacts with your brand. Our unified marketing strategy framework is designed to help clients create experiences that unite brands and people in motion - in real-time.

Experiences come in many forms, and not all points of engagement are predictable - but smart brands can plan to build collective, dimensional relationships with customers with each and every experience.

Our Unified Marketing Approach

Our unified marketing approach is designed to help you identify where your best opportunities are to engage and connect with your most valuable customers. We create meaningful - often one-of-a-kind - brand experiences that are relevant to your audiences and build collective value.

Unified marketing is a departure from start and stop, short-sighted and disconnected marketing campaigns. It’s the beginning of a mindset that looks at relationship building as a constant, persistent effort across all experiences.






















There are four stages to our unified marketing strategy framework:

•    Find & Define the right audiences that represent the greatest brand opportunity for you

•    Engage & Connect through more meaningful and relevant experiences that strengthen your relationship

•    Build & Maintain your relationships to build collective, dimensional value over time and foster reciprocity across your communities

•    Understand & Optimize through insight and real-time data, making better informed decisions to drive better interaction and transaction

This process enables us to continually refine and optimize campaign performance in real-time, ultimately helping our clients build more meaningful brand experiences and relationships.

Proving the Model

We’ve put our unified marketing approach to the test with several clients and are pleased to report the results have been impressive. We’ve also continued to build out our capabilities to support the unified marketing model. Our acquisitions of Creative Bubble and Leach Communications, the opening of our Dallas office, the addition of 100+ new team members, and some of the most impressive work we’ve done to date, are all strategic moves to execute on our unified marketing vision.

We’re beginning to see the results of our work, you can see it through the impact our people are making, and we hope it creates more opportunity for us to work together.

We look forward to talking with you more about our unified marketing approach and how we create brand experiences that unite people and brands in motion.

Note: Please visit the What We Do section to learn more about our Unified Marketing Approach and process.

  “6 Things” is a list of things I've come across that I find interesting, inspiring, adventurous, or just plain cool. I’ll be publishing these fairly regularly, so keep an eye out.

In this installment of “6 Things” I explore the joys of doing it in public. There's nothing I like better than some PDA. I'm talking about Public Displays of Art, of course. In my last blog, ("What the F...antastic!"), I made pithy and insightful remarks on the power of using unexpected experiences to engage the consumer. The following items are primarily art for art's sake, but it's not hard to draw conclusions to how similar installations can be used to grab the public's attention. It only takes three little words to demonstrate success, "Made you look!"

 

Antony Gormley: Event Horizon

Madison Square Park in New York City has a great program of public art. The exhibits rotate throughout the year, often with several happening simultaneously. The latest, "Event Horizon", is particularly impressive because it extends beyond the park. These figures (31 total) are placed on rooftops as far as 10 blocks away. They are all visible in and around the park, and each faces the square. Once you notice one, you begin to pick out the others. I admit to spending some time walking around trying to find them all. They have actually caused some controversy, but I think most would agree that it's an engaging and delightful exhibit.

IMPROV EVERYWHERE

Performance artists. Pranksters. Marketing geniuses? Somewhere between flashmob and sketch comedy, "Improv Everywhere" has staged some great events. As with any performance, some things hit and some miss, but they are all interesting if for no other reason than to see the public reactions. People love the unexpected. And even those not lucky enough to experience something live can get into the act through the videos posted on the web. A couple of my favorites are "Grocery Store Musical", "Frozen Grand Central", and "Where's Rob", but I encourage you to look at all their "missions". You may see some similarities to marketing stunts staged by various companies. "Improv Everywhere" has shown that people love to get involved and feel "part of the show"... and isn't the heart of marketing?
 

 

Street Art (Literally)

Julian Beever is one of several artists who create amazing pieces that are both public and transitory. If you have ever been fortunate enough to stumble upon this type of art, you know it can actually take your breath. It is so unexpected to find a something like this while walking down an otherwise unremarkable street that you can't help but stop and take some time to study it. Clearly, some brands have caught on to the idea.
 

 

Blowing Art Up

Mixed media artist, Joshua Allen Harris, creates whimsical installations that transform from a pile of what looks like trash into animated "living" creatures with the lifespan of a passing train. Brilliant.
 

Now you see it, now you don't.

This next piece is something I sort of stumbled upon on the web. I was drawn to it mostly because of its simplicity and the possibilities. I can see using this type of installation in an out-of-home marketing campaign to great effect. I'm writing the brief now :)

 

Graffiti? Art? Commentary?

And finally, I happened across this gem just the other night. While walking home, I spotted this painted on the sidewalk on Fifth Avenue north of 22nd street. This is a prime viewing area where tourists stop to take photos of the Empire State Building. Some may think this is simply a commentary on the traffic flow (and it may be), but I suspect it is the work of one the New York's many graffiti artists. True graffiti artists create works that are thought provoking, visually inspirational, or technically challenging. Some have gone on to become well known artists, others have maintained anonymity even in their fame, but most are simply inspired by the work. While it may be vandalism in the truest sense of the word, arguments that this type of art enriches society cannot be ignored. I'm not always sure which side of the fence I come down on. Perhaps I'll write my opinion on a wall on the way home. By the way, as a marketing idea, this has the appeal of authenticity, but it carries all kinds of potential problems, so go cautiously.

Almost every week I continue to be shocked at some aspect of how Facebook is treating the privacy of their users. While I think Facebook has done some amazing things to redefine the landscape of connection and community in the digital age, the way they auto-opt-in users to new policies and settings that unwittingly further expose them in a manner that is beyond confusing for almost everyone is driving me crazy.

It seems to be a total disregard for privacy that leverages "confuser interface design" tactics and misleading redesign functionality alterations to extend their dominance at the unknowing expense of most of their users. They actively seek to get you to enter as much personally defining data as possible. They make it incredibly complicated to manage your assorted privacy settings, then they go and make significant changes that auto-opt in users to new options like making all of your posts available to search engines or to share your personal data with applications and sites using FaceBook tools. All of this while presenting typical users with a perception of communicating and sharing with their "Friends." Maybe FaceBook is just working towards a Nobel Peace Prize by wanting everybody on the planet and every corporation to be Friends? Ummmm.... no.

 

Conversely, while not exempt from scrutiny, Twitter takes a much different approach. They begin by having an established perception that what you post is public, they have one very clear and simple blanket option to make your posts private, and the information they ask you to enter for registration is extremely limited.

 

I'm also driven crazy by the constant changes to FaceBook API's that make the lives of developers miserable as they struggle to work with this juggernaut of social media and the fact that they employed algorithms that began to selectively decide whose posts among my friends they thought I should see (and even excluded my wife's posts from my stream until I manually added her back in)... but that's a whole other couple of blog posts to write. The following is a short list of things I actually find less annoying than FaceBook's treatment of the concept of privacy:

 

15.       SPAM e-mail

 

14.       People who post their every Foursquare or Gowalla check-in to Twitter

 

13.       The mere existence of Farmville and Mafia Wars

 

12.       The first time I saw Clippy

 
      11.    Developers that hardcode and use auto-code generators out of laziness

 

10.       Requirements documents for a web site or app that say: "should work in every browser"

 

9.       Web sites that dramatically over-use Flash for everything they possibly can

 

8.       People that show up for an interview and haven't read and reviewed your company's web site or have any ability to articulate what your company does

 

7.       People that text or use mobile devices to tweet while driving (or drive while talking on their mobile phone without using a Bluetooth or hands-free device)

 

6.   People that call themselves "Social Media Gurus" in their bios or otherwise

 

5.   People in busy airports that obliviously stop walking out of the blue and then wonder why everyone crashes into them

 

4.   Every scene on the Fox TV series 24 that ever involved Kim Bauer

 

3.   Stupid people (as one of my friends is fond of saying as he quotes his old high school football coach, "Ya can't fix stupid.")

 

2.   The continued existence of IE6

 

1.   The constant deluge of Top <insert number here> Lists

 

I could probably learn to live with all of the above. But I'm on the verge of simply shutting down my FaceBook account instead of constantly fighting to control my own information and exposure. Of course... I don't think FaceBook makes it terribly easy to truly shut down an account, they'd probably just auto-opt me in to be reactivated in a couple of weeks.

(Image Credit: Privacy by alancleaver_2000)

I recently attended the NABshow in Las Vegas and was not only impressed with how amazing football looks on a 3D TV, but also the dominant theme of the importance of social media to growing audiences and creating new ways to interact with television.

Social media sites like Facebook and Twitter have grown so quickly and unobtrusively that we often don't realize how big they really are. Becoming a part of Facebook is easy, and simple, even my mom did it without needing any help from me (for once). When we are looking at Facebook we see ourselves and our friends, and for the most part it feels like our own little community. The real eye opener is realizing there are over 400 Million other people feeling the same way.

The first step for the networks was integrating their website with their programming. NBC Universal did a great job integrating Heroes show themes with their website, and I've been impressed by that for some time. Their webisodes and tangential plotlines for Heroes was really well done, continuing alternative stories and keeping interest going.

Most of the networks are catching up and revitalizing their website presence so that it aligns with their programming. Recently HBO completely re-launched their website with an online community with forums. Simultaneously they are launching "minisodes" that are viewable online and on Sunday nights.

Every network is exploding onto social media since they realized how many people are actually participating online and how much more interesting this paradigm can be.

What about live commenting and interacting? This is the new theme within the television networks that has been growing over the last year or so, and that's integrating social media into programming live online. I remember the first time I saw Tosh.O on Comedy Central, highlighting the funniest and most random YouTube videos, and broadcasting the funniest tweet that people posted during his monologue. Oprah has live broadcasts with Facebook feeds running simultaneously so that people can contribute to the show. Look out for the new contest called Your Own Show, it's going to be a big one, with user submitted videos highlighting why they should be the next new TV Host promoted by Oprah.

Oxygen said they put an espisode of Bad Girls online, and paired it with Social Media, the result was a growth of their audience at 70% on the west coast and 90% on the east coast! That's tremendous!



Be on the lookout for a host of new ways of interacting with television networks, and the new shows that are going to result from all these ideas being submitted and shared!

Oprah Winfrey's President of Digital Media, Rob Tercek, really nailed it down succinctly when he quoted Oprah as saying, "Engagement is the new entertainment."

So what about you? Have you participated in Social Media and Television? What about checking out websites for your favorite shows? Which one do you like most?

The following is an abbreviated step-by-step guide to measuring social media ROI.

Step 1: Define Goals & Success Metrics
The first step of ROI measurement is defining your goals.  What do you hope to accomplish by being active in the social space?  One problem is that brands launch social campaigns without clearly identifying or understanding their goals, which makes measuring success difficult (if not impossible).  

Here are a few examples of social media goals:
•    Expand brand or product awareness
•    Increase engagement with brand
•    Generate qualified leads
•    Drive sales
•    Build community
•    Create brand advocates
•    Qualify fans and convert them to customers
•    Improve customer satisfaction
•    Establish company as a thought leader
•    Attract talent

Once goals have been defined, the next step is determining the appropriate success metrics that align with these goals. For example, if a goal is to increase brand awareness, metrics might include the volume of online discussion or “buzz” about your brand, the level of audience engagement (re-tweets, comments, posts, video views), the number of fans, followers, etc. and the number of user impressions.

The following are examples of social media success metrics:
•    Volume of  online “buzz” about a brand
•    Volume of positive sentiment
•    Number of fans, followers, readers (or number of high-quality/targeted fans)
•    Engagement (number of video views, duration of views, time spent on the company blog site, time spent playing a company’s branded game application, etc.)
•    Volume of user comments posted to company blog, profile or posted content
•    Retweet or peer-sharing statistics for related content and posts
•    Comment or retweet resonation (number of user comments multiplied by
    how many followers or friends each user has)
•    Media coverage
•     Media impressions (mentions on blogs or other media multiplied by the size
    of the audience)
•    Quantity of new or qualified sales leads (referred from social sites)
•    Website Referral Traffic (from social sites)
•    Advertising click-through rates
•    Volume of customer service issues handled

Step 2: Establish a Baseline
In order to effectively measure success, make sure to first establish a baseline by determining your current position within the social landscape.  For instance, if your goal is to increase awareness and you will be tracking the amount of “buzz” or mentions about your brand, you must first know what the current levels are before taking actions to reach that goal.  Without establishing this baseline, it’s difficult to accurately show ROI.

There are a variety of analytics tools available to help with social media measurement.  I won’t go into too much detail here (there are dozens of options), but a few of these include Google Analytics, Social Mention, Viral Heat, Scout Labs, Radian6, and Listen Logic.  These tools can be used to gather key social media metrics and help you identify strengths and weaknesses of your social presence.

Step 3: Measure and Track Success
After you launch your social media program, begin the measurement process to track success.  Gather the success metrics from your analytics tools and start to see how (or if) they correlate to higher sales, increased customer satisfaction, website traffic, store traffic, etc.  Try to identify trends where possible. Does positive consumer sentiment or an increase in chatter about your brand lead to higher website/store traffic, leads or sales?  Recognizing these trends and identifying their point of origin is key in measuring social media ROI.  

(Image Credit: "Basics of Social Media ROI," by Oliver Blanchard)

While the race for ‘ownership’ of the LBS market (Location Based Services) rages on, and naysayers’ debate its viability, I am sold on the concept.

If you are not familiar, LBS are the latest craze in the ever growing social media marketing landscape.  The general principle is that an end user uses their smart phone and its GPS abilities to ‘check in’ to their current location. 

Like its social media older cousins Facebook and Twitter, there are many out there that think this is just a passing phenomena - a game if you will.  Like Facebook and its now 400 million plus users, and Twitter and it’s large following I believe in the LBS strategy.  Out of the pack has emerged two ‘major’ players in the field, FourSquare and Gowalla.  Google, Facebook, Yahoo! and even Apple are also looking at entering the playing field but I believe they will have to make an acquisition to truly play. 

Along with the hype of these types of services there is also a lot of criticism.  Since I am a ‘fan’ and a user I might be a bit jaded but I think I can at least address the critics; here are the gripes I have heard, some legit, some just silly:

1. If you tell everyone where you are then you are leaving your house open to be robbed.  I originally thought that this was a ‘non-issue’ I have to admit but after a conversation with people smarter than I over drinks I have amended my opinion.  This is one that you DO have to pay attention to.  Use common sense, if you are ‘checking in’ on vacation, turn off the setting that posts to Facebook and Twitter, so ONLY your friends on that LBS Tool of your choice get it.  Second, and this goes whether you use and LBS or not, CHECK YOUR PRIVACY SETTINGS IN FACEBOOK!  Facebook has gone through a number of changes and many people have forgotten to go into their settings and make sure they have the level of privacy that they want.  For me, I only want FRIENDS seeing information; others may have different standards and that’s cool, just make sure you are comfortable with yours.  As for Twitter, you can ‘protect your tweets’ as well so only your followers can see them.

2. You can get stalked by a crazy ex and have to deal with all that.  True, but is that really a concern?  If it was, you wouldn’t be on FB, Twitter or LinkedIn.  Can it be a problem?  Sure.  However, you don’t have to tell EVERYONE where you are.  Your standard LBS lets you self select who the information goes to.  Side note – crazy ex probably knows all your haunts and when you like to be there anyway…

3. Why would you want to be doing free marketing/advertising for a place or a brand?  Are we seriously talking about this one in 2010?  Look down at your feet people (go ahead, I’ll wait) --- is that a ‘swoosh’?  Did NIKE pay you to wear their shoes or did you drop $100+?  How about that laptop I carry around?  You know the really sleek, chrome looking thing with the fruit in the middle very well lit?  Let’s face it people, WE have become walking billboards!  Take the silly Ed Hardy T-shirts (yes, I am just over 40 and don’t get it).  You have people clamoring to be seen in an Ed Hardy, and what is besides some crazy print with the biggest part of it being his SIGNATURE!!!  I’ll talk more about personal brands in another blog.So there are some of the negatives, which may be legitimate, but aren’t exactly deal breakers.

What are the positives you might ask?

1. It’s fun and it’s social.  One of my favorite shows as a kid was CHEERS, the bar where everyone knows your name.  Basically, with a tool like FourSquare you can become your own walking CHEERS.  Check in at a friendly place and the bartender says, “Welcome, how about a beer Mr. Peterson”, OR how about you get to a place that is running an amazing special, you could take the time and call or your friends, or break your fingers and text them OR check in with an LBS, type in a comment, it automatically gets to everyone through whatever social tools you are using and who knows what can happen when everyone shows up.  Simply put, in its most elemental form, it’s a way to extend the party.

2. As I have heard from Social Media Guru, Gary Vaynerchuck, “why would someone check in at a bar?”  Give’em a free beer and watch them check in all day!  What a cool way to earn stuff and allow a small business truly establish a win-win customer loyalty program.  At one of the Whole Foods in Austin, TX you get a very valuable coupon on your 5th visit.  What does this do?  It drives loyalty, rewards it, makes it fun and even mysterious…what will I get on my 10th check in, etc…Not enough small businesses are using these tools to see a huge uptick here but I believe by this time next year it will be off the charts.

3. That last part of #2 is part of the biggest positive from a business application and it’s the direct corollary to the third criticism.  I’m not sure when MARKETING became a four letter word but when it comes to LBS that is seems to be the #1 complaint and it goes something like this, “that stuff is just one big marketing ploy to get you to go somewhere or buy something”.  My response is somewhere along the famous Socrates reply of “duh!”  Isn’t that the whole reason for newspapers, magazines, TV shows, etc…sure they have their entertainment and news value BUT no one is shocked to know that advertisers are paying to place their content in front of your eyeballs to get you to buy stuff!  Not sure why the uproar when it comes to LBS, it seems to me like a natural fit.

4. Last but not least and this is by far where I see the big win for LBS and that is creating partnerships to pull off some really cool stuff.  I was discussing the value of FourSquare with an Executive at one of the major record labels.  She is responsible for new acts and we were discussing the value of LBS for her and she said; give me one way it works in my world.  So I said, do you have an all girl band you want to promote?  The answer was yes.  How about an in store ‘tour’ across America teamed with an outlet like Express?  You have all the traditional ways to support it but now add an LBS layer for very little cost.  It is also a completed integrated approach across all the social media tools; from Facebook, to Twitter, blogs, Flickr and a full activation using LBS.  Her eyes lit up and she said, write it up and let’s take a look at it.  That’s just the tip of the iceberg.So, mock it if you want.  Five years ago you never thought you’d be on Facebook. 

If you can remember back to 1991, if someone asked if you wanted to be accessible 24/7 via the phone, some new thing called email and a feature called text that in our old lexicon meant a book at school you would have said, “no freaking way”…and how many of you don’t have a cell phone today?

It took a little over a week to get over my SXSW experiential (and literal) hangover and to sum up my thoughts on the 2010 Austin event. One word sums up my thoughts coming out of this year's festival..."Anticipation".

Remember the Heinz TV spots of the early 1990's, with Carly Simon singing for ketchup. This year it seemed like everyone was waiting for something, but it just didn't seem to show up. Since this was the venue that Twitter and FourSquare debuted in years past, I think the majority of the attendees were "anticipating" more. Instead there was a lot more marketing of Miller Lite beer, Chevy Volt and Monster energy drink, more parties, more free beer and a whole lot more people. Over 6,200 more folks in fact, all anticipating something, some next big thing at SXSW 2010.

Anticipation was also common Twitter theme and with so many birds of a feather together, the Twitter and FourSquare servers seemed to lag during certain keynotes and party hours. FourSquare had to invent a new badge for the experience called a super swarm. This designated that over 250 users checked in to a specific location, like the Frog Design party at MACC on Sunday evening. Everyone was gathering and waiting on something to happen.

Sometimes it pays to look the other way. While most of the crowd was attending keynotes given by the founders and thought leaders of social media, some big news was breaking in some smaller sessions and workshops.

This year three key developments signaled future implications for web interface design that will change the visual future of the web. CSS 3, HTML5 and Fluid Type are what I am talking about. The ability to leverage thousands of fonts will release web design from restrictions and separate creative talent from web generalists. HTML5 will do away with the use of proprietary plug-ins for basic rich media.
 
HTML5 adds video and audio capabilities to core markup languange with the intention of reducing the need for browser plug-in-based rich internet applications (RIA). And it is being employed now. Big entities like CBS are displaying their content video while Microsoft Silverlight and Adobe Flash are just beginning to do battle. The take-away is that open source code will have the ability to display media that the bulk of Flash and other RIA's are doing now. This spells the end for many plug-ins and the best part is HTML5 is here now and should reach W3C Recommendation by late this year.
 
CSS3 is still currently under development but many of the recommendations are working in existing browsers. The list of features continues to grow and the ability of designers to use these features to extend web design is exciting.

Consider what a designer might be able to do with just multiple backgrounds. This feature already works in Firefox, Chrome, Opera and Safari. Don't ask me about IE, but even IE has revealed better CSS controls are on the way.

Jason Cranford Teague might have given the most interesting presentation. I have known Jason personally for over ten years and I can testify that his vision of the future of web development has been uncanny. He was one of the very first to author a book on CSS, and in fact later served as an advisor to the CSS W3C group. Now he is an evangelist for web design and his passion is releasing the artform of typography to the web.

As any designer knows, fontography online is a shadow of what is capable in print, film and other fixed media because of browsers, usage laws and technology. But there are now alternatives to system fonts and type displayed as bitmapped images.

Jason's new book presents three approaches to using a wide variety of fonts in web design and goes into depth in his explanation of just what fontography really is. After being an interactive creative director for more than a decade, I can say with authority that most of the web has become a sea of sameness because of the lack of font variety and the ability to design with fonts.

Fluid web typography will give artists access to over 100 thousand fonts versus the less than 5 that are typically used online. So take a look at embedded open type, license font servers and web-font linking. You just might realize another wave of innovation in web design is already here.

A couple of links worth reading:

• Jason Speaking
• Font Squirrel
• Matthew David's article Inside HTML5 on O'Reilly

I recently overheard several discussions and have seen a number of social media posts mocking virtual MMO world Second Life. Many declare it and its ilk dead. People are openly cynical towards it. Laughing at it seems like the hip and trendy thing to do unless you want to appear to be an idiot. And you're not an idiot, are you?

When Second Life first came onto the scene it was the shiny new toy with all the typical hype. You couldn't swing a dead virtual cat without hitting a marketer or interactive technologist that wanted to talk about Second Life. People ran to it like moths to a flame and then they got burned. I once heard Second Life brilliantly described as marketing's Vietnam. No one wants to talk about it or how bad things got screwed up there.

People spent tons of effort on research around it, heralded it as the next big thing, many even asked their employees to start playing it in a rush to become subject matter experts on it and figure out how to pitch their clients on creating branded virtual islands and experiences in this brave new 3D immersive world. And truly, the potential was staggering, nobody was wrong about that. But the results weren't what everyone had hoped for. Far from it. The technology and interface still had a steep learning curve for many users, there were numerous barriers to entry that made it unwieldy for many potential customers, the experience was still a stretch for the vast majority of mainstream users who were just beginning to figure out FaceBook, and the ROI for the required effort simply wasn't there beyond some immediate PR value. But more than anything, there was a conundrum around the openness and lack of control over the experience, namely that Second Life was (and still is to a large degree) rife with adult content, porn, virtual sex and many other things that most brands simply didn't want to be associated with or risk exposing their customers to as those customers struggled to navigate their way to BrandXYZ Island. So people left in droves, most corporations that had tested the waters began their mass exodus. Those that jumped on the bandwagon (who still had their jobs) shook their heads in embarrassment and apology vowing never to make that mistake again.

But here's the thing. They weren't wrong about the potential. People were simply overly zealous, reckless, and so anxious to be ahead of the curve to appear innovative and be early adopters that they just made bad decisions on timing and failed to do their homework. They invested far too much effort into something that was still far from being ready for prime time and the mainstream. They wanted to be bleeding edge and guess what? There was blood. And now people either talk about it hushed tones or openly deride it.

But did you forget the part where I said that it's full of porn, sex and adult content? That industry and genre of society is so all over it and advanced in its use of it that it's crazy. That's right. The same industry and users that were the first to embrace newsgroups, web sites, e-commerce, paid-subscriptions for content, cross-channel branding, and on-line video. And they are always months to years ahead of the mainstream adoption and monetization. They happen to have a user base that will go to great lengths to extend their experience and be willing to deal with early shortcomings of the technology. It's a multi-billion dollar industry that time after time leads the way.

Meanwhile, another massive industry, Gaming and Entertainment, has continued to embrace the technology. MMORPG's like World of Warcraft and many others plus the continually enhanced experiences offered via services like Xbox Live leverage incredibly rich and immersive interactive 3D gaming and social experiences. Project Natal from Microsoft even looks to change the game further by enabling more physical interaction without the need for a handheld controller to interface with games and virtual environments.

The technology continues to advance. The processing speeds to accommodate these environments continue to increase. The typical memory of average computers continues to increase. Broadband keeps getting broader and the average technical proclivity of users keeps getting higher.

Second Life continues to evolve with a large number of improvements for user experience and better content ratings to segment world areas that are more "adult-focused" from those that are not (a move which has even been protested by some of the Adult-Content focused current users of the platform). By some reports the amount of Adult content is even growing in lesser proportion to more mainstream content. And their parent company Linden Labs has been hard at work developing the Second Life Grid that enables companies and organizations to have and create private worlds that are independent from the mass Second Life world. Companies like Unity are doing amazing things to enable 3D games and experiences to be easily developed and require nothing more than a browser. More powerful game engines are coming out every day. And Windows Phone 7, coming out soon, will enable Xbox Live right from a phone.

So it's not that Second Life is dead. Far from it. It didn't want to go on the cart. What's dead is the spirit and vision from some whose egos were crushed because they were burned by being reckless in pursuit of the next big, cool thing. Note to these folks for the future: if it's full of little besides porn and sex it's probably not yet right for most brands. But you're crazy to not see that means it will eventually make its way into the mainstream. It just takes time. It's probably not going to happen tomorrow. But when it does, don't call it a comeback because it'll have been here for years. If you're smart, you're still paying attention to what they and others in this space are doing. And you are smart, aren't you?

A fact about YouTube: 10,512,000 hours of video have been uploaded in the last year. So what’s the future of online video you ask? Look no further than YouTube for the answer.

I was recently part of a panel discussing online video in all it’s forms: pre-roll, branded, UGC, rich media, spreadable (or viral)…the list goes on an on. One question that I’ve been pondering was the last of the evening at the DFWIMA event. What does the future of online video hold? It was tough to answer, mainly, because I think we’re already there. Wait, what?

Look no further than this guy, doing 32 songs in 8 minutes. A guy with a great little idea and LOTS of talent doing what he does best. Next thing you know, 4 million views and tons of imitators. Personally, I think his next video should up the ante; 64 songs in 4 minutes! But back to the future.

This kid and his guitar captivated myself and 3 other specialists in our respective media fields for 8 whole minutes! Then I passed it on and it became the backbone of this blog. How would a kid and his guitar ever made that happen in the time before YouTube? He wouldn’t.

Need more evidence the future is here? Well, that brings us back to Time Magazine’s list of YouTube’s top 50 videos of all time. You can see work both branded and unbranded that’s spread like wild fire amongst users that have viewed, shared, commented on, rated, blogged, tweeted and eventually actively participated with – which in some cases means imitation, others parody. But they all mean engagement.

Here are the top 10 things I noticed about the top 50 list:

1. Kittens still rule spreadable video

2. Second only to kittens are cute kids...especially when said kids are coming down from heavy sedation

3. Small animals that aren’t kittens still get big laughs, and views.

4. Laughter is the international language, most of these just make us laugh or smile – which undoubtedly makes us want to share.

5. Music is also the international language, (when not speaking laughter) – from the Rick Roll to Evolution of Dance to the Hey Jude Kid (which is a two ‘fer – cute kid and music) music is a common theme.

6. People love subtitles. It’s a simple way for the Average Joe, not video editor Joe, to get in on the fun, assuming he’s got a great idea like Literal Music Videos or the epically popular Hitler series (which if you haven’t seen is not what you think)…both are hilarious.

7. Babies. Man people love babies!

8. Classics stand the test of time. Why? Original ideas are timeless. Lazy Sunday – it put the SNL digital shorts on the map. Chocolate Rain, like a chocolate 20 car pile up – you just can’t overt your eyes, or something that just plain tugs the heartstrings like Randy Pausch. If you’ve never seen it, stop what your doing and grab some Kleenex.

9.  From the department of redundancy department - let me say it again - great ideas are timeless. The stuff that people share is probably smart, funny or outrageous in someway, but most importantly elicits an emotional reaction. Whether narrative or not, it's short, to the point and not a huge investment of time for me to enjoy and then share.

10. Finally, who doesn't love these lists! Give me more! I hope some other outlets take the ball and run with it. I'd love to see what VICE (VBS.TV) or The World's Best Ever (theworldsbestever.com) rank the Top 50 You Tube Videos. What does the Mommy Blogger think for that matter - is she a kitten lady? Who knows....we'll have to wait and see. (I'm looking at you Mommy Blogger)

 

Facebook’s Hottest TV babes, Celebrity babes on Twitter, Hot babes on LinkedIn, babes, babes, babes...

Did this get your attention?  OK, so let’s progress.

I recently attended a few industry conferences on leveraging “Public Relations in the Social Media Era.”  The sessions were eye-opening.  With a show of hands, it seems most of the 500 attendees, who were charged with managing their brands’ PR function, didn’t understand much about how to harness the power of Social Media or how to convince their executive management to engage in it. 

A prevailing theory shared with me follows: Social Media has enabled a two-way dialogue between brands and consumers.  However, many brands over the last 50 years grew accustomed to telling customers via one-way conversations (advertising, promotion, news releases) that their product or service was essential to the customers’ aspirations or success.  So, now there’s a disconnect.

Well, I’d like to share some of the new “truths” about re-connecting that I have heard from my recent travels.  And I hope they will be of some constructive use.

Truth #1: Social Media has put the “PUBLIC” back into Public Relations.

Years ago, PR consisted of community town hall meetings, public comment forums, press conferences, and other means that enabled public feedback, deeper questioning and public input. Back then, the public had some say and means of expressing their opinions and their voice could be heard.  But public dialogue was hard because you couldn’t easily reach the masses in a personalized way.  So, the press release took over and gave birth to one-way dialogue and allowed brands to merely issue holding statements on issues instead of getting in front of customers and listening to what they had to say. 

This is an exaggeration but you get the point.  Then the Internet arrived and Social Media soon exploded.  Now everyone has a say in your business affairs and consumers are in charge of your brands’ reputation and companies are in a responsive mode -- catering to the interests of their customers once again.  Not a bad thing….

Truth #2: “Every day is ELECTION DAY.” 

I heard this statement and it resonated with me since I once worked in politics.  If brands want to effectively communicate and engage with their customers, they need to get into a campaign mindset and determine how to get “elected” every day by consumers, shareholders, employees, etc.  This mindset requires the willingness to conduct a dialogue with your stakeholders. 

Find that common interest or common ground you have with your customers – determine what’s the breadth of your relationships with your customers?—what emotional connection do they have with your brand or CEO?  -- and then leverage it.  Listen, chat about it and let the conversation grow.  If you want to win (the election), you have to play.  (Okay, yes, that’s a tagline from the NY State Lottery but it obviously was effective and memorable, and it underscores the point.)

Truth #3: LISTENING is more important than talking. 

Who da thunk?  This seems to be a revelation to us communicators who are expected to jump-start discussions and then deliver the pitch.  But, lest we  remember, we’re in a new era where customers have a large share of voice and they are talking back.  So, it’s probably better that we listen to what they are saying first and then jump in. 

Let’s test this theory (some sarcasm intended here; my dad was British so sometimes I let loose….) Testing the theory here:  Imagine going to a party, walking into a roomful of strangers and telling your date:  “Get out there and say something?”  Not very effective -- unless you’re Jim Carrey.  Rather, we’d ease up alongside a group, listen to what they are discussing and choose a tactful means of joining the conversation.  PR in the Social Media era is no different.  Use the “listening posts” that your Social Media experts (or ours) know all about.  Use them to better understand what conversations you should be monitoring and participating in.

Truth #4:  In times of CRISIS, your stakeholders consume, process and use information differently – they are more emotionally engaged. 

As a result, using IMAGES in times of crisis are more effective than words (that dreaded news release again).  So, getting your CEO on video to explain what’s happening, how your addressing the crisis and what to expect is key – post it to YouTube, your website, link it in email blasts, used paid search to drive traffic to your video, and, yes, add hyperlinks to your video in your news releases.  Video is visual and allows you to convey trust, express empathy, to show respect for your stakeholders needs and demonstrate that you’re taking action.


So these are some of the basic truths that I have heard about from experts in Social Media, Public Relations and Stakeholder Communications.  I think they make sense and seem reasonable.  Nothing appears too hard to grasp here in my view.  I asked some of the conference presenters why so many peers face challenges in embracing Social Media.  To these questions, I was presented another truth.  You cannot learn or recommend anything unless you personally first make an effort to try it yourself first and understand it. Seems reasonable. 

So, about those hot TV babes on Facebook….

 

 

As the U.S. recession winds down, and the recovery begins to pick up steam, talent acquisition, development and cultivation will again become important to companies that want to get ahead.

“The War for Talent” is now global and very, very digital. Finding talent might be easier than you think. I’d like to offer a high value, low cost way to find talent in the marketplace and within your organization.

In the information age and knowledge economy we’re operating in, the power of the mind is key component of success – at least for organizations able to tap into that power.

From a management perspective, managers need insight into the minds of their employees like never before. It’s not easy to figure out who is willing to go the extra mile to get the job done.

I believe the answer to the challenges can be found in the blogosphere.

Finding Talent in the Blogosphere

If you establish a companywide blogging program that is open to all employees, at all levels and job functions, it can be an excellent device for gauging the intellectual abilities of your team.

You can do it as internal blogs, public blogs, and topic specific, pre-screened or free for all. Whatever you do you will gain insight into your employees. You will find out which ones are slow to adopt new technologies, which ones have good thoughts, but poor communications skills, great writers with hollow thinking or innovators trapped in task jobs.

You’ll get far more valuable information than you can from performance reviews, meeting attendance or coaching sessions. Simply because it is self selected participation, self-expression and the opportunity to rise to the top or to fade into obscurity.

Just track who is a continuous contributor, who is a commenter and who is absent. Then read those that are intriguing, comment back and see how they conduct a digital conversation. And before you say your business is about relationships and face-to-face today, the future of face to face is digital to digital.

The ability to conduct civil discourse that is a matter of digital record is a daily requirement in business and in life today. The understanding of when to add imagery, video, graphs, links to others and medium appropriate content, is critical and the best new weapons in your arsenal.

I guarantee you that as the talent wars heat up, that your competitors will look for talent in your organization and your employee’s Facebook profiles, blogs, tweets and comments on the digital radar will be part of how they determine who to target for recruitment. You should do the same thing, start with your employees and then move to theirs. The future of your business is dependent upon the next generation of thinkers, doers and digital actors.

 

I recently had the opportunity to attend MIX 2010, Microsoft's annual conference for web designers and developers focused on building great user experiences, in Las Vegas, along with Definition 6's two interactive Creative Directors from Atlanta and New York.

MIX 2010 is highly unlike most other Microsoft conferences where the topics frequently focus on .NET, Exchange, Office, and Windows. Instead it's chock full of design and UX goodness - a geeky love fest for all the cool tech that goes into creating great web, mobile, desktop, kiosk, and other assorted technically enabled experiences using the Microsoft platform.

It's hard to argue that this isn't an arena in which Microsoft is still playing a lot of catch-up. Adobe Creative Suite and Flash/Flex are still easily the staple of most creative and design departments. And many people definitely hug their MacBooks and frantically wave their iPhones about when asked to provide examples of great user interface design. But if there was one thing abundantly clear at MIX 2010 it is that Microsoft has no plans to cede the battle on these fronts, they are rapidly catching up in many areas, and even appear to be leading the way in a few. Seriously.

Microsoft is a marathon runner, not a sprinter. And as Steve Ballmer said at Microsoft's Worldwide Partner Conference last year regarding questions as to why Microsoft doesn't cede such battles as Search and Advertising and retreat back home to their core Windows, Office, or SQL Server business lines, "We. Don't. Go. Home." Anyone who doesn't believe him should have been at MIX. And do you really have to look further than an example like the Xbox?

Probably the hottest subject of discussion and presentations was Windows Phone 7 Series. I am, admittedly, an avid iPhone user who stood in line the first week they came out. I happily ditched my old Windows Mobile device and it's BlackBerry predecessors back then to live in Apple's world and I've never been seriously tempted to use something else until I saw WP7.

I really believe WP7 is a game changer for Microsoft and the mobile industry. Sure, it has some shortcomings. I don't know how they could decide to not include copy-and-paste as a feature in the first release. And like iPhone, they also do not have application multi-tasking and they appear to have similarly stringent plans regarding their app store.

But the interface is fantastic, I love the "hub" metaphors, streaming video and even Xbox Live over the phone looked amazing. Not sure exactly how badly those things will kill battery life, but they sure looked impressive. For heavy Outlook users, the Outlook mobile experience on WP7 may alone be enough to get you to switch. Just awesome. And there's a chance it could finally be the breakthrough that Zune has been looking for.

Silverlight 4 is definitely another big step in the right direction. They continue to slowly chip away at adoption and now claim that it's at 60% market penetration, probably mostly attributable to the Olympics and adoption and rollouts of Windows 7.

Tools like Expression Blend keep getting better, and Sketchflow may even be better than the competition, it is simply cool. IE9 beta demos also got big buzz. It appears they have surpassed Firefox on overall performance, are coming close to Chrome in many aspects, and for certain functions like handling of video and HTML5 they could end up being even faster and better (when running on a Windows platform of course) by taking better advantage of your computer's processor and using a form of background hardware-based acceleration. The head-to-head examples showing some really slick use of animation and video in HTML5 were really amazing.

The one thing that Microsoft has which no one else can offer (not Google, not Adobe, not Apple, not anyone) is an end-to-end story on tools and capabilities in this arena. The depth and breadth of their tools and services is truly staggering when you put it all together. And I'm not just talking about the typical story of Windows + Visual Studio + .NET + SQL Server. On top of that throw in Expression Studio with SketchFlow + Project "Dallas" + Azure + Silverlight + Surface + Windows Phone 7 + OpenData + IE9 + Bing Search and Maps and on and on. Sure you can poke certain holes in individual pieces versus their competitors. But the cohesive power of all that together makes for a truly impressive lineup.

There definitely were a few other good tidbits at MIX. Announcements around Orchard, freely available tools for WP7 development, great live streaming of Channel9 straight from the event, strengthening support for JQuery, and a surprising number of atypical logos on screens being talked about as friends (e.g. Wordpress, Drupal, PHP, etc.).

And the keynotes included fantastic sessions by Scott Guthrie (@scottgu), VP of Microsoft's Developer Division, and great demonstrations by consummate tech presenter Scott Hanselman (@shanselman). But for me, the highlight of MIX was the opportunity to see Bill Buxton, Principal Researcher Microsoft Research, speak live. He is simply brilliant and one of the most passionate people alive when it comes to interface design and technology.

If you've never seen him speak it is worth your time to google (or bing) for videos of his speeches and spend an entire day just watching them. As the conference organizer, Microsoft's Thomas Lewis (@TommyLee), put it in a tweet during Bill Buxton's keynote: "OMFG! Buxton's brutality has destroyed Vegas! Only zombies, mushrooms & lavender frogs have survived! DESIGN IS GOD!". I couldn't have put it better myself. Buxton's speeches are often too filled with memorable lines to count, though my favorite at MIX included "The most important thing in the system is the wetware... the human being" during a segment where he described the importance of taking into account all the users different prior experiences within the specific environmental contexts of where, when and how they will use a system that you are designing.

Side note: I still don't understand how such an amazing guy who lives and breathes design and is considered the Father of Multi-Touch can have such a horrible personal web site, but I can only assume it's a "cobbler's children" thing.

And last but not least, the overall crowd and dynamic of the attendees at MIX was fantastic if not a bit quirky. It was a great group of highly intelligent people that are all passionate about great design and truly unafraid to ask the hard questions of Microsoft and dole out praise as well as tough love in person in the sessions and in torrents over Twitter. Unlike typical creative and design conferences it's definitely rooted in a true developer core (e.g. more guys still talking about compilers as opposed to a more mixed-gender crowd talking about heuristics and having used many tools like these for years), but unlike normal Microsoft conferences it's a large group of people who love great creative design and have been dying for Microsoft to bring these kinds of things to the table.

This conference in Vegas was more WXSW for geeks than it was the concurrently running SXSW, but Twitter and Foursquare definitely reigned supreme there as well as the tools that joined everyone together digitally during the sessions, into the evening, around the bars, and throughout the event. Sunday evening even kicked off the conference with a massive tweetup at the MIX Lounge at THEhotel at Mandalay Bay. There is a real embrace of Twitter showing through by Microsoft that is really uncanny with regard to how they normally react to any tech service that they don't build and own.

At Definition 6, we do use a lot of tools and services across platforms including a very significant amount of work in the Microsoft platform. And we do use tools and design for platforms that are competitive to many of those that were showcased at MIX 2010. But there is no doubt that what we saw there has given us a lot to think about, some great ideas, and a few new weapons to put in our arsenal. We look forward to using many of these to create great solutions for our customers and to seeing them continue to evolve and improve.

Social media marketing is at the forefront of integrated interactive marketing programs underway at almost every Fortune 500 company out there. Corporate blogging, online video and podcasts are among the most popular strategies used by the world's largest comapnies. But what about Twitter?

What might surprise you is how quickly Twitter is growing as the social medium of choice among Fortune 500 companies. According to recent studies like “Fortune 500 and Social Media: A Longitudinal Study of Blogging and Twitter Usage by America’s Largest Companies,” conducted by the University of Massachusetts Dartmouth and Financial Insite, a Seattle-based Research Firm, Twitter is the platform of choice for Fortune 500 social media marketers.

The study examined the 2009 Fortune 500 in an attempt to quantify their adoption of social media tools and technologies, finding that 22% of Fortune 500 companies have a public-facing corporate blog – six percent more than 2008. The study also found that 86% of these blogs link directly to a corporate Twitter account, a 300% increase over 2008. Even more corporations have Twitter accounts, but not all link to them from their blog.

It would appear that Fortune 500 marketers are moving fast to Twitter for engaging with their key audiences. Of course, upon further analysis, you’d find that only 35% of these Twitter accounts are active – described as having been updated within the past 30 days. If I’m reading the study correctly, that means 65% are not being actively used.

While Fortune 500 companies have realized they need to be on Twitter – probably as defense against username squatting – few have truly embraced Twitter as a social channel. 

Of the groups that have engaged most heavily with Twitter, the insurance industry is leading the way, with 13 active Twitter accounts according to the study. Of course there are also companies like Exxon Mobil, the #1 company in the Fortune 500, that have no presence on Twitter.

A separate analysis of Fortune 500 Twitter, “The Global Social Media Check-Up” conducted by Burson-Marstellar, found that 79% of Fortune 100 Global companies are using one of four popular social media platforms, with Twitter leading Facebook, YouTube and corporate blogging as the platform of choice.

65% of Fortune Global 100 companies have active accounts on Twitter, while only 54% have Facebook accounts, 50% have YouTube channels, and 33% have a corporate blog. There is still plenty of room for improvement here.

Why Is Twitter the Preferred Platform?

Nobody knows for sure why Twitter is so popular, but there’s a good chance that it’s because it’s the easiest platform to launch. Companies can have a Twitter account up and running in a couple of hours (or less). There is a lot more work to do to launch a YouTube channel, corporate blog, or Facebook presence. It also takes considerably less resources to manage content production and audience interaction on Twitter than these other platforms. It’s a relatively low-cost and low-maintenance option for getting in the social media game.

Are Fortune 500 companies getting any value out of Twitter though? According to the Burson-Marstellar study, the answer is “yes”. Twitter accounts to the Fortune Global 100 average 1,489 followers. This doesn’t seem like much when you consider the average Facebook fan page for these companies has more than 40,000 fans, but it's progress.

A full copy of the new research report can be downloaded here: http://www.umassd.edu/cmr/studiesresearch.

 

 

I recently had an opportunity to participate in a webinar about the current trends and thinking around integrated marketing strategy, particularly in the areas of interative marketing.

The digital evolution has completely changed the way companies interact with their customers.  Companies can longer push their agenda to drive business, but must find ways to add value at every single touch point.  How can companies effectively create a unified message across so many disciplines to evolve the way consumers think of their brand?

A good part of my strategic discussion revolved around reinvention of the idea of brand, and what it means to be a marketer for a company in the 21st century. Some specific takeways I think I cover in this presentation include:

1. How to organize and integrate your marketing operation to create a cohesive message
2. How to identify early in the process if you are achieving your goals
3. How to optimize your branding efforts and align them with your sales organization

If you're thinking about integrating your marketing programs, or just looking to improve the performance of your existing integrated marketing programs, perhaps you'll find the presentation relevant to your current discussions.

To view my presentation from the webinar, please click on the presentation below:
Questions or comments about the proposal? Please feel free to reach out to me through Twitter.

 “6 Things” is a list of things I have recently come across that I find interesting, inspiring, adventurous, or just plain cool. I’ll be publishing these fairly regularly, so keep an eye out.

          
I recently participated in a panel discussion on “augmented reality” at the Samsung center in NYC (more on that here). So today’s list begins with several things being done (or dreamed) in A/R.

1.  Esquire Augmented Reality Issue
           
One of my fellow panelists was the Art Director from Esquire magazine and he showcased the December A/R issue of Esquire. If you haven’t seen it, check out the demo. And if you can get your hands on a copy of the magazine, try it out yourself. As with most executions of A/R, it’s still got a way to go, but you can see the potential of bringing a new experience and added value to a publication or product.

2.  AR Art for the LAYAR
          
Many of you may be familiar with the LAYAR mobile application for Android and iPhones. It’s an A/R platform that lets developers “easily” create specific A/R executions for mobile devises. It uses the GPS, accelerometer, and camera to place objects and info in the environment around you. One of the those executions is “ART AR” that allows you to experience virtual art that has been placed at a specific location. If you are lucky enough to be near one of these locations, you simple view your surroundings on your phone’s display and voila… art all around you. I think this Mondrian sculpture has been placed at various locations, one of them being around the corner from where I live. Watching this video doesn’t really convey the experience. It’s pretty cool to see a virtual structure all around you. Again, it suffers from current technology limitations, but the possibilities are exciting.

3.  “SixthSense”
          
Here we get a glimpse into where A/R might lead. Clearly, the goal is to make this as a passive an experience as possible. This research team has assembled some off the shelf hardware and written some new software that allows you to integrate digital information into your everyday experience. It’s rough, and not entirely developed, but even at this stage it is pretty impressive.

4.   “Augmented (hyper) Reality”
          
This is a futuristic look at A/R. What will it be like when we really can overlay our world with a virtual world? One of the things all marketers struggle with is how to get branding in front of a consumer in a way that will not make them feel as if they are having something thrust upon them. One of the topics discussed at the panel was that if a consumer feels they are getting value (information, entertainment, etc) then they will accept a certain amount of invasive marketing. Would you be open the kind of branding seen in this video if it allowed the kind of interaction it promises?

5.  Banshee Beat
         
Stepping away from A/R, here’s clever music video that was made by using Google Map’s Streetview. It traces the artists drive to work via the freeways of LA. Simple, engaging, fun.

6.  Upular
          
And finally, here’s a new offering from video remix artist, Pogo. He creates new works of music and video by using sounds and images contained in movies. Unlike many remix artists, he only uses sounds from the film. I found this one to be particularly successful because it can stand on its own as a great song. (As an aside, I first became aware of Pogo when his video was used to demonstrate www.yooouuutuuube.com, a fun use of the Google API that has since been co-opted for on on-air HBO promo campaign… the web leads again.)