
Even The Donald himself eventually had to put in his two cents. As powerful as Donald Trump is, the video commenting on Mac Miller has about 100,000 more views then all of his other YouTube videos.

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Social Media Week is here, and well, we’ve been keeping busy being social. I recently got the chance to conduct a “6 with D6” Interview with Henry Copeland, founder of BlogAds.com and of the SUXORZ awards, an event that showcases the worst social media campaigns from the previous year. 
When Henry is not selling BlogAds, he says he’s “generally running or playing ping-pong with his kids, cooking with his wife, playing with his dogs, or reading.” Some of the blogs that he frequently reads within the BlogAds network include ObscureStore.com, Wonkette.com, PerezHilton.com, ReadWriteWeb.com, DailyKos.com, and Drudge.com, although he claims this is more for “taking the cultural temperature than really consuming news.”
We encourage you to sign up for SUXORZ, which takes place on Thursday, February 10th in NYC (where Definition 6’er Jon Accarrino will play “Social DJ”), or read more about how Henry got involved in social media.
6 with D6: Henry Copeland
1 - What changes do you anticipate taking place within the blogosphere in the next 3-5 years?
Since we got started in 2002, there's obviously been a giant proliferation of the number of blogs. And there's also been a lot of professionalization. But, as folks like Huffington Post disappear into the belly of the corporate beast, I think you'll see a resurgence of small and medium-size blogging, folks who are doing it because they love it, not because they want to cash out for $315 million. There are still lots of folks out there just finding their voice and lots of “unserved” publics. In some cases, these will be people just doing it to scratch their own itch. In some cases, these will be 'house blogs' by companies that are passionate about one topic or another. And in some cases, these will be self-supporting bloggers.
2 - Both BlogAds.com and you personally have been huge pioneers in the social media landscape. With all the proliferation of devices like iPad and connected TVs, how much is social media device-driven? Or is the behavior of sharing and consuming media evolving the device market?
I'm tempted to say I'm not young enough to answer that question. But I'll take a shot: I think blogs were perfect for PCs...everyone who works in an office or goes to school has one AND has 30 spare minutes a day to create or read content that is 50-500 words long. Now, mobile devices seem to inspire the production and consumption of more micro-content, tweets, check-ins, pokes, etc.
3 - If you could go back in time and edit your 2002 Pressflex essay that floated the idea of BlogAds, what would you change?
Ha, I would have been a little less cocky. :) I thought BlogAds was going to change the world OVERNIGHT. I didn't realize it would be two years before we'd sell more than $200 in ads in a single month. But overall, I'm happy with the way those predictions about how “people-power-media” would explode and completely upend the media and advertising markets. When you think of all the stuff that's come since then -- whether it's YouTube or Twitter or Reddit or Quora or Facebook -- we're still just beginning to guess all the fun things people can do for, or with, each other when you let them connect in real-time online.
4 - How can marketing agencies like Definition 6 use BlogAds to help our clients?
Two things. First, we can let you really deliver your client's story across a wide spectrum of blogs. Second, there's a lot of emphasis at agencies on using the commoditized ad units -- the IAB units you can buy on every site on earth. We think it is very important to use the right unit to tell the client's story. Flashy 300x250s and 728x90s have their time and place, but there are times you want to channel what the community is saying about your brand in Twitter or let the community re-tweet your ad. So when it comes to ad units, the medium can be the message -- a conventional ad unit that was born in broadcast, often an IAB unit, most likely tells a conventional story that's rooted in the "we talk, you listen" mode of advertising.
5 - What do you see as a game changer?
Yikes. I think we're still scratching the surface of organizing all the data and relationships that social media is encouraging us to generate. In a sense, we're in an arms race with ourselves, steadily producing more information, then scrambling to create containers/structures to help us keep track of that information, and then having to create structures that contain THOSE new structures. We've got so many signals, we're creating news. So at some point, I think we're going to hit a point where the majority of people say, "OK, I'm done, this is good enough for me. I don't need any more filing cabinets for my filing cabinets." That could be two “Facebooks” from now, or it could be we're just about there right now.
6 - Tell us more about the SUXORZ awards which are coming up this week. What has changed over the last few years? What has improved?
This will be the fourth year of the SUXORZ. How time flies when you've got terrible social media advertising to laugh at, right? Since the first couple of years, it appears companies have gotten better about not trying to pay consumers to shill for them. Or companies have just figured out how to do it more covertly and not get caught. Last year, the sins were more of omission rather than commission. Companies implemented half a social media campaign -- Tweets on a billboard! -- but forgot to watch what people were tweeting and ended up with a lot of profanity beside their logos. We're still sifting through nominations to figure out what the trends will be this year. You can make nominations on our Facebook page.
The National Association of Television Program Executives Annual Event
I've been going to the NATPE TV supermarket for years.
I remember a time when millions of dollars were spent on the booths, and lavish parties were thrown for the execs and the affiliates.
I also saw it lose ground to CES during the financial meltdown, and now I've seen the start of a comeback for NATPE as an event and a marketplace.
I'm told there were a thousand more attendees at NATPE this year over last.
67 countries were represented here and every major content provider globally seemed to be in attendance.
This year, they had online show guides to help navigate the sessions and the floor, a hash tag and TwitterFall, a Facebook presence, and lots of social media interactions...they just needed better access to the NATPE Wi-Fi on site.
The theme this year was "Content First!”
Some things I heard and learned on content distribution, international programming, video strategies, brand integration and connected TVs:
Netflix, HULU, and other new(ish) content rich platforms need to be viewed as alternative distribution methods, not competitors. Beth Roberts of NBCU says broadcasters need to rethink their approach to windowing feature content to avoid being overwhelmed by all the new platforms.
But traditional media still sees platforms like Netflix as foes, where content producers see it as its friend. The truth is it's not going away, so everyone needs to play nice in the sandbox.
The mood overall was upbeat, as the advertising climate heats up again.
The international business was red hot according to my sources, and of course Latin American programming played a significant role here, with a large turnout from Univision, Telemundo and Televisa (not surprising in Miami)!
There was talk about the mainstay of Hispanic programming in the US Latino market- The Telenovela - being the best at serving the female demographic to the detriment of the male viewer. In other words, give the guys something more to watch as well!
Yahoo!, having lost the UGC battle To YouTube, is changing its video strategy to one of original video content.
Brand integration in programming was a big topic for the advertisers here. There was even a company on the floor pitching a software solution that inserts banners into video called SeamBI for seamless branding integration.
The talk about multi-screen TV consumption was still on a roll here, so that's good news for interactive TVs (but I'm still not convinced. Get Glue and Twitter while watching a show already distracts me).
And one last thought. It was an honor to see two old friends, Dick Ebersol and Mary Hart join Regis Philbin and Gerhard Zeiler, all Icons of television, receive the Brandon Tartikoff Legacy Award from NAPTE. It truly was an inspiring event.
http://facebook.com/frankjradice
It’s that time of year again. A time for reflection and a time for predictions. On the outside chance you did something this year besides monitor your RSS feed from Defining Insights, we thought this would be a good time to reflect on the top posts of the last 12 months.
For those of you that don’t know, Definition 6 has a very open corporate blogging policy. All of our employees are welcome (and encouraged) to contribute to the blog. With a team that spans many different areas of expertise, we find this is a great approach to keeping our customers and other friends up to date on the latest trends in digital marketing and emerging technology.
It’s also an opportunity for us to share successful approaches to unified marketing, helping you develop and leverage strategies that deepen relationships and improve marketing ROI. Without further adieu, here are the 6 most-read posts of 2010:
#1 “Nike ‘Write the Future’ Ad Breaks Viral Video Record” by Jon Accarrino
It should come as no surprise that the leader of Definition 6’s social media operations published the most-read post of 2010. Before joining Definition 6, Jon launched many of NBC’s first social media initiatives, including the Twitter accounts of many of the Today Show stars you know and love.
Leading up to this year’s World Cup action, Jon had the foresight to write a quick review of Nike’s ‘Write the Future’ ad. As fans took breaks from vuvuzela tooting to search the Web, many stumbled across Jon’s post.
You can read the original post (and watch the video again) here.
#2 “Best Practices for Facebook Pages” by Ashley Reed
Definition 6’s social media team must know a thing or two about producing and sharing content on the Web, because its Atlanta-based social media manager Asheley Reed wrote the second most-read post of 2010, “Best Practices for Facebook Pages.” Ashley’s post was jam-packed with practical information top brands can use to get more out of their Facebook marketing efforts. If your organization has a Facebook Page (or is thinking about launching one), you may want to check out Ashley’s post here. Of course, you might also find value in here “Why People Like Brands on Facebook” post as well.
#3 “How You Like Me Now?” by Matt Timpson
Matt Timpson gives us a great argument for why companies should open blogging to more employees. Matt doesn’t work in marketing, he’s not a client manager or on the sales team, he works in the engineering department. But he contributed one of the most-read blog posts of 2010, an in-depth analysis of Kia’s 2010 Super Bowl ad (you know, the one with the Sock-Monkey, Squeak-Monster and the Robot?). With an unassuming title “How You Like Me Now?” (a nod to the music used in the spot), his post climbed the charts. If you are familiar with the commercial, you might find his analysis interesting. It’s hard to believe Super Bowl spots are right around the corner.
#4 “Babes... And Some Other Basic Truths About Re-Connecting With Audiences Online” by Al Leach
Al Leach leads the national strategic communications practice for Definition 6. Needless to say, he has a way with words. While the content of Al’s post is written from the point of view of a veteran communications professional, the lighthearted headline and lead demonstrates a point about capturing attention in a short attention span world. Al’s post presents 4 self-proclaimed “truths” about communicating with audiences today - a great read for any communicator. Read Al’s post here.
#5 “The Gap Logo Fiasco” by Chris Wojda
Work for an iconic brand? Want to generate a lot of buzz this year? Have an intern redesign your logo and swap it out on your website - the blogosphere will go wild and you’ll be top of mind for a couple of weeks (at least). While that’s not exactly how it played out, some suspect Gap’s re-branding efforts from this past summer were a publicity stunt. With ‘serious’ re-brands, you would typically see signs at stores change. In this case, it was really just the logo on Gap’s website. Regardless of what the strategy really was, Gap made a lot of noise with its logo ‘fiasco’ this past summer. One of Definition 6’s leading brand strategists, Chris Wojda, couldn’t resist chiming in with his ‘two cents’ on the whole mess. Read his take on Gap’s logo swap here.
#6 “Unified Marketing: A New Model for a New Era” by Michael Kogon
One of the most significant events for the agency this past year was our own re-branding effort. As most of you know, Definition 6 is now a Unified Marketing Agency. Definition 6 CEO introduced positioning and why we feel so strongly about this model in all that we do. The fact that this post rounded out the top 6 posts of 2010 shows that not only did the message resonate with you, but also that we continue to see coincidences with the number “6” in everything that we do. To get the full scoop on what our Unified Marketing Agency positioning is all about, read Michael’s post here.
Chris Thornton is Chief Marketing Officer of Definition 6 and was recently named “CMO of the Year” by the Technology Association of Georgia’s (TAG) Technology Marketing Association. Chris also serves on the board of the Atlanta Interactive Marketing Association (AiMA). When he’s not blogging, you can find Chris tweeting at @CMORocks.
I woke up this morning to a pretty interesting e-mail that was sent to me by way of my Google profile from someone named David Anderson:![]()
I am making a blog for an online writing class I'm taking through UF, and for a module on search techniques I needed to find a non-mainstream website about my topic (sports bars). I found your old site, the East Lansing Bar Review, and I loved it so I've written my post for this assignment about it. I've only made five posts so far, but here is a link anyway: http://sportsbarjunkie.blogspot.com/
This is really crazy in so many ways. The site he is referring to is something I created back around 1995. I was attending Michigan State University and worked part-time in the MSU Network Center to make some extra cash. My official title there was Mainframe Consultant and mostly I helped professors and students to use things like Gopher, Banyan VINES, FTP, configure dial-up PPP access, and learn how to use our Unix-based ELM e-mail client. This was a time when most corporations hadn’t even heard of the web, it had fledgling use by Universities, it was being referred to as a fad, and I had just helped to get Michigan State’s own first web sites up.
I wanted to play around more with this new-fangled world wide web so using a vi editor in Unix, working in HTML 1.0 and armed with a copy of the predominant browser of the time NCSA Mosaic, I decided to create a site that offered a personal review of all the local bars and pubs in the East Lansing, Michigan area. I had a lot of fun creating the site. I had even more fun doing the critical research required to provide the reviews. But it really was bare bones ugly, used hand coded tables, some basic formatting tags, and the most advanced thing it included (which was hot at the time) was an image map that used a monstrosity I created with a copy of Photoshop 1.0.
But so it was born: the East Lansing Bar Review. For a couple of years I kept updating it and occasionally I got really interesting feedback or comments. It even got me a few free beers from local bar owners. When I left MSU my younger brother Mike took over the site
and moved it (all 4 or 5 HTML files and all 5-6 images) from my student web account to his. He kept it updated for a couple of more years before he graduated. A couple of years later we got tired of being contacted about it from people asking for updates so Mike posted a note on the site explaining this and since then it’s gathered electronic dust but apparently it’s still there.
15 years from when I created the site, I’m now the CTO of Definition 6 where we create massive high-end brand experiences that include transactional sites with extensive back-end systems integration, hundreds of thousands of pages of content in enterprise-class Content Management Systems, on-line video experiences, mobile web sites, mobile applications and more in addition to spending a ton of time doing Search Engine Optimization, Search Engine Marketing, On-line Display Media, and Analytics.
In an effort for this blog post to have a point and not just be nostalgic rambling or reflection on how far we’ve come in terms of the web and on-line advancements, what really stands out to me is considering how high this site shows up in results for major search engines. If you search for East Lansing Bars it still comes up as one of the top several results on Google. And if you search as David describes he did in his blog post it’s number one. Keep in mind the site was originally written and posted before Google even existed and at a time when Yahoo! had just come onto the scene as a start-up. The very concept of organic search engine optimization didn’t even really exist let alone was it the means of livelihood for the legions of people that practice its art today. I’m sure there are some things to be said for how today’s algorithms treat a site with such a long tenure favorably as well as the tenure of links to that site. And I’m all but certain that the same site published today would not be treated so favorably. But it is probably worth noting that a site hosted at relatively bad URL by today’s SEO standards with no meta-data, no thought to Information Architecture, and bad file naming practices still shows up high for certain not uncommon searches when the content was meaningfully written and relevant to the subject matter of interest. I’ll leave the rest of the analysis to the real SEO experts out there (and my apologies to our Creative Department for even publishing a link to this relic of a site on our blog).
Thanks, David, for the trip down memory lane and for giving me some interesting things to think about this morning.

What’s the biggest buzzword around social networking right now? If you guessed location-based services, it would be hard to argue with you. If we ask you again in six months, chances are good you’ll answer the social graph. 

Social media marketing is at the forefront of integrated interactive marketing programs underway at almost every Fortune 500 company out there. Corporate blogging, online video and podcasts are among the most popular strategies used by the world's largest comapnies. But what about Twitter? What might surprise you is how quickly Twitter is growing as the social medium of choice among Fortune 500 companies. According to recent studies like “Fortune 500 and Social Media: A Longitudinal Study of Blogging and Twitter Usage by America’s Largest Companies,” conducted by the University of Massachusetts Dartmouth and Financial Insite, a Seattle-based Research Firm, Twitter is the platform of choice for Fortune 500 social media marketers.
The study examined the 2009 Fortune 500 in an attempt to quantify their adoption of social media tools and technologies, finding that 22% of Fortune 500 companies have a public-facing corporate blog – six percent more than 2008. The study also found that 86% of these blogs link directly to a corporate Twitter account, a 300% increase over 2008. Even more corporations have Twitter accounts, but not all link to them from their blog.
It would appear that Fortune 500 marketers are moving fast to Twitter for engaging with their key audiences. Of course, upon further analysis, you’d find that only 35% of these Twitter accounts are active – described as having been updated within the past 30 days. If I’m reading the study correctly, that means 65% are not being actively used.
While Fortune 500 companies have realized they need to be on Twitter – probably as defense against username squatting – few have truly embraced Twitter as a social channel.
Of the groups that have engaged most heavily with Twitter, the insurance industry is leading the way, with 13 active Twitter accounts according to the study. Of course there are also companies like Exxon Mobil, the #1 company in the Fortune 500, that have no presence on Twitter.
A separate analysis of Fortune 500 Twitter, “The Global Social Media Check-Up” conducted by Burson-Marstellar, found that 79% of Fortune 100 Global companies are using one of four popular social media platforms, with Twitter leading Facebook, YouTube and corporate blogging as the platform of choice.
65% of Fortune Global 100 companies have active accounts on Twitter, while only 54% have Facebook accounts, 50% have YouTube channels, and 33% have a corporate blog. There is still plenty of room for improvement here.
Why Is Twitter the Preferred Platform?
Nobody knows for sure why Twitter is so popular, but there’s a good chance that it’s because it’s the easiest platform to launch. Companies can have a Twitter account up and running in a couple of hours (or less). There is a lot more work to do to launch a YouTube channel, corporate blog, or Facebook presence. It also takes considerably less resources to manage content production and audience interaction on Twitter than these other platforms. It’s a relatively low-cost and low-maintenance option for getting in the social media game.
Are Fortune 500 companies getting any value out of Twitter though? According to the Burson-Marstellar study, the answer is “yes”. Twitter accounts to the Fortune Global 100 average 1,489 followers. This doesn’t seem like much when you consider the average Facebook fan page for these companies has more than 40,000 fans, but it's progress.
A full copy of the new research report can be downloaded here: http://www.umassd.edu/cmr/studiesresearch.
I've decided to break with the tradition of mystical subterfuge that we creative types like to use to keep our methods secret. I’m going to come clean about the three easy steps to create successful online video marketing. I know this will likely get me scratched off the list at all the best industry events, but I can no longer hold my tongue in good conscience.
Step1: come up with an engaging concept.Yea, I know… not much of a secret. The truth is people seem to view online videos as some sort of crazy alternative marketing. It’s as if there is some secret ingredient that gets sprinkled over the computer while posting that makes it different than something you would see on television. The truth is that it is not the content that is different, but rather how it is consumed. Television is a fairly passive medium and people are more likely to watch something simply because it is in front of them. This is changing thanks to the DVR culture, but it is still largely true. Viewing a video online, however, is a much more deliberate act. People have to want to watch it. And, hopefully, they will pass it on to others so they can watch it. For this to happen it needs to really be engaging. Clearly the intent of all brand marketing is to engage the consumer, but online video needs to be or you won’t have an audience.
This fact makes it all the more absurd that many people believe that successful online videos can be created by anyone with a webcam. Certainly, there have been many such “successful” videos (witness the most viewed Youtube video ever), but this is the exception not the rule, and is rarely true when it comes to brand marketing. I’m not saying that you need to have a million dollar budget, or hire the top Hollywood director, but you do have to approach it with clear creative intent, even if the end result is unscripted, or “low tech”. The principles that hold true for any successful film or video still apply: good narrative (whether plot or visual) and solid construction. Brands would never air some poorly produced piece with half-baked creative on television, yet they all too often treat their online video offerings as amateur hour.
Your video has to connect with your audience on some level, through humor, compassion, awe, outrage, etc. It has to offer the viewer some intrinsic value that will create an attachment and drive them to become a brand advocate. Once again, this is not a new marketing concept. What is new, is the tremendous advantage online video offers in this endeavor. At its core, a viral video is a social media tool. People love to share things with their friends and online video gives them the tools to go beyond the water cooler chat (did you see that spot on TV last night with the blue thing… hilarious!) to actually presenting your video to a person that trusts them. This is why an online viewing number that is a fraction of the viewers of a spot during a primetime show represents a much bigger win for the brand: the online viewers are active participants. Do it right and those participants become advocates.
There are specific factors that do distinguish online video from a televised spot: no length requirements, resolution and audio playback quality, trafficking to specific market, ease of deployment, etc. But do not let those differences cloud the fact that at it still needs to be approached with the same level of detail and planning as any on-air piece. Just because it is simple and inexpensive to get your video on the web, don’t treat like a second class marketing strategy. It has massive potential to influence your customers.

If I haven't convinced you yet that you should spend some marketing time and money by focusing on the Hispanic population, let me try again. Media Post has several great articles on the subject. Here is another one by Diana A. Terry-Azíos called "Brand Loyal, Yet Unbranded".
As a general rule, Hispanics are more brand loyal than other groups. They are less risky with their purchases and stick to brands that have provided good quality products. However, when many of them move to the U.S., they are likely not going to find their familiar brands here. So they have to start shopping and they have tons of choices to choose from in the U.S.
Another issue is that they are not as compelled to buy "Made in USA" as other U.S. citizens nor will they be compelled to buy products endorsed by people they don't know. If Hispanics don't know who Michael Jordan is, then he isn't going to help Hanes sell more underwear to them. And Brett Favre isn't going to help sell more Wrangler jeans to them.
Here are some key points to marketing to the U.S. Hispanic population.
- You have to prove that your product is of good (or the best) quality. Hispanics will often spend a little more if they are getting the best quality.
- Start a marketing campaign that will speak directly to Hispanics, perhaps with Hispanic stars, but definitely with Spanish content (and not just English content translated directly to Spanish). Your marketing campaign needs to address quality, convenience and emotion. But also keep in mind that the growing young Hispanic consumer considers himself/herself as Latino AND American.
- Use multiple touch points to stay in contact with Hispanic consumers. For example, studies have shown that Hispanics are more likely to respond to text messages than other groups.
For more Key points, see the article I am referencing.
Oh, and by the way, here are some interesting facts about the growing Hispanic population.
45.5 million -- The estimated Hispanic population of the United States as of July 1, 2007, making people of Hispanic origin the nation’s largest ethnic or race minority. Hispanics constituted 15% of the nation’s total population. In addition, there are approximately 3.9 million residents of Puerto Rico.
About 1 of every two people added to the nation’s population between July 1, 2006, and July 1, 2007, was Hispanic. There were 1.4 million Hispanics added to the population during the period.
3.3% increase in the Hispanic population between July 1, 2006, and July 1, 2007, making Hispanics the fastest-growing minority group.
Want more? Here are some interesting facts.
So what are you waiting for? The growing Hispanic population is waiting for you to give them a good reason to buy your products and to tell their friends just how good you are. As word spreads through their community, your profits should start growing at a faster and faster pace.
We can help you. We are an Atlanta interactive advertising agency.
Definition 6 is an interactive media agency that creates marketing initiatives that engage people. We capture and analyze relevant metrics from web analytics, email marketing, online media, and social media campaigns to continue to test and refine marketing plans. We’d like to help you meet the challenge of addressing the new expectations of consumers.
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