I've decided to break with the tradition of mystical subterfuge that we creative types like to use to keep our methods secret.  I’m going to come clean about the three easy steps to create successful online video marketing. I know this will likely get me scratched off the list at all the best industry events, but I can no longer hold my tongue in good conscience.

Yea, I know… not much of a secret. The truth is people seem to view online videos as some sort of crazy alternative marketing.  It’s as if there is some secret ingredient that gets sprinkled over the computer while posting that makes it different than something you would see on television. The truth is that it is not the content that is different, but rather how it is consumed. Television is a fairly passive medium and people are more likely to watch something simply because it is in front of them. This is changing thanks to the DVR culture, but it is still largely true. Viewing a video online, however, is a much more deliberate act. People have to want to watch it. And, hopefully, they will pass it on to others so they can watch it. For this to happen it needs to really be engaging. Clearly the intent of all brand marketing is to engage the consumer, but online video needs to be or you won’t have an audience.

This fact makes it all the more absurd that many people believe that successful online videos can be created by anyone with a webcam. Certainly, there have been many such “successful” videos (witness the most viewed Youtube video ever), but this is the exception not the rule, and is rarely true when it comes to brand marketing.  I’m not saying that you need to have a million dollar budget, or hire the top Hollywood director, but you do have to approach it with clear creative intent, even if the end result is unscripted, or “low tech”. The principles that hold true for any successful film or video still apply: good narrative (whether plot or visual) and solid construction. Brands would never air some poorly produced piece with half-baked creative on television, yet they all too often treat their online video offerings as amateur hour.

Your video has to connect with your audience on some level, through humor, compassion, awe, outrage, etc. It has to offer the viewer some intrinsic value that will create an attachment and drive them to become a brand advocate. Once again, this is not a new marketing concept. What is new, is the tremendous advantage online video offers in this endeavor. At its core, a viral video is a social media tool. People love to share things with their friends and online video gives them the tools to go beyond the water cooler chat (did you see that spot on TV last night with the blue thing… hilarious!) to actually presenting your video to a person that trusts them. This is why an online viewing number that is a fraction of the viewers of a spot during a primetime show represents a much bigger win for the brand: the online viewers are active participants. Do it right and those participants become advocates.

There are specific factors that do distinguish online video from a televised spot: no length requirements, resolution and audio playback quality, trafficking to specific market, ease of deployment, etc. But do not let those differences cloud the fact that at it still needs to be approached with the same level of detail and planning as any on-air piece. Just because it is simple and inexpensive to get your video on the web, don’t treat like a second class marketing strategy. It has massive potential to influence your customers.

The idea of creativity is held in high esteem by a great many people. When you see a fantastic work of art, or see a new piece of technology that blows your mind, you can’t help but feel appreciative of the creativity that went into making it. You may also feel envy. “Why can’t I be that creative? My world is too structured to be able to do those sorts of things.”

In my position at our creative advertising agency, it's my job to "be creative", but the truth is that anyone can, and everyone should, be creative. In many ways, I believe people are more creative than they give themselves credit for. It is easy to appreciate grand gestures of creativity: the Gugenheim Museum in Bilbao, the XBOX Natal project, Avatar. But you must realize that those large expressions are merely the accumulation of small frequent expressions of creativity. The people behind them are disposed to looking beyond the boundaries of the everyday. By opening yourself up to the idea that each choice you make can be infused with the unexpected, you will begin to see your life and your business enriched with the individuality of creativity.

So what does it mean to “be creative”? You may not have a gift for the arts, but that in no way hampers your ability to be creative. Simply doing something or seeing the world in a new way is the very essence of creativity. Break free of what you know and get outside of your comfort zone. In its purest form, creativity is anarchy. Of course that type of creativity is only useful in an abstract sense, wielded as a hammer to break through a wall of convention. Truly inspired creativity brings about brilliant new ideas within the constructs of necessary guidelines. For example, I can strap an accordion to a rodeo bull and record the “music” as it tries to throw its rider, but likely that will only result in a painful accumulation of noise. It certainly would qualify as a creative act, but that creativity would be wasted in the final product. It’s important to break out of our familiar way of thinking and acting, but do so while still respecting the natural boundaries of human perception.  Creativity is a delicate balance between spontaneity and limitations. Often “new” ideas will be criticized as derivative. That may be true, but that in does not diminish the achievement. No matter how “out of the box” you get, it is still related to the box in some way. Anything that ignores all conventions is only interesting in the abstract. A relationship to the world we live in and the conditions our lives and businesses thrive in is a necessity for success.

Not everyone can throw away convention and embrace the unknown, nor should they. Clearly, some level of control and stability is necessary in business and in life. But being comfortable with the unexpected will allow you to make more creative choices, and, perhaps more importantly, accept and encourage creative choices in those with whom you work. Start small: re-arrange your office, take a new route home, or run a meeting differently. These things have little risk, but will force you to see things in a new way. It may take you longer to get home, but you may see or experience something new that spawns new ideas or growth in your life. Each small act will make you more open to new ideas and change. Many consultants will tell you that a repeatable process is necessary to create an environment of measurable success, and that is certainly true, but innovation is equally important to business. Repeatable process is the antithesis of innovation. Even the most successful business will ultimately stagnate if it does not embrace change. Indeed you must go beyond simply rolling with the changes of industry and be an initiator of change to truly rise above the rest.

Whether you are a designer or an accountant, a CEO or a secretary, make an active effort to infuse creativity into your life. Train yourself to be open to the new and unexpected, whether it be a new, but accurate use of your brand or an off the wall execution for a social media strategy.  It will make you at least a little uncomfortable and anxious (it should or you are not doing it right), but even the smallest of gestures will also enrich you, both professionally and personally. Where should you start? I don’t know… be creative.

In the last few years, there's been a lot of talk about moving beyond the 30 second commercial. This is more than just a commentary on format. It is really speaking to the way people consume media and the best way to leverage that consumption to get your brand’s message out. Web and mobile are providing a greater percentage of viewer’s video content, and that trend is increasing. But even though they are viewing their content on a different screen, they are still looking for an entertaining and engaging video experience.

The most successful commercial campaigns have always been the ones that entertain, whether humorous, touching, or visually stimulating. As the viewer’s lives become more media saturated, their desire to be entertained becomes more acute. This is why an old concept has resurrected, albeit in an updated form. Branded entertainment was the norm in the early days of television and it’s time has come again. Rather than trying to make commercials entertaining enough to capture consumers’ attention, why not create entertaining programming that promotes your brand. Branded entertainment, when done correctly, is a very effective way to get your brand noticed. Not only will you be putting your brand in front of your customers, you will actually enlist them in spreading the word. The challenge is to create something consumers will associate with your brand in a positive way that will not feel like merely an extended commercial.

For less than what it might cost to create a traditional commercial campaign and buy the media time, you can have a short film or series produced, put it on the web, and get millions of eyes on it. A series has an advantage over a single spot in that it can grab viewers and become a destination, allowing secondary branding opportunities. As with any advertising, there are many failed attempts at this. In order to be successful, you can't throw up just any old thing and hope it sticks. On the web, content is king, and consumers are becoming increasingly discriminating about what they will watch and pass to others. They may have switched screens, but they are looking for the same level of content they are used to seeing on television. There is a lot of competition for people’s attention but right now well produced and entertaining content is hard to come by. Now is the time to take advantage of the void. Produce a great show and users will find you. The most common mistake is thinking that something for web use does not need the attention you might give to something that will be shown on TV. Because the cost of getting something up on the web is cheap (relative to traditional media) many old-guard agencies tend to not put enough money into production. They fall back on old patterns that tie budget to the cost of the media. It is important to put the proper resources into creating your property.

And even though I have spoken mostly about web and mobile as fast growing platforms, that doesn’t mean it is time to abandon the television. Some of the lessons we are learning in the digital realm can be applied to traditional TV. More and more shows are using embedded sponsorship. And the numbers of channels available in specific markets make the prospect of producing a branded show an economic reality. The world of entertainment is changing quickly, with new options and possibilities opening up every day.